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AMPLIFICATION EFFECTS "The coolest thing about the G2 (and the main reason I bought it) was that it can be run in a few different modes: Stereo, mono, or front/back. Front/back is the kicker... With my TSL100, I have set up the G2 to send time-delay effects (reverb, delay, chorus, etc.) to the effects loop of the head and the gain effects (eq, distortion, wah, etc.) to the front of the amp (guitar input). This gives incredible control over effects levels and puts the right effects in the appropriate part of the path." She says.
"The other thing about the G2/R1 combo," She continues, "is that the R1 has built-in relays that can be set up to change amp channels (instead of the amp's footswitch). This way, I hit one button on my R1 and my patch changes as well as my amp channel (clean/dirty). TOTALLY FREAKING COOL!!!" Needless to say, she doesn't use any of the effects you see in the picture above. GUITARS
Below are close-up pictures of her Les Paul
This is what Annah's Strat looked like before she repainted it...
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Your eyes are not deceiving you, that says "I built from scratch."
in the picture above. Annah desperately wanted a Les Paul, couldn't afford one, plus
wanted a neck-thru and extra-cutaway one. So she designed it, bought the wood at an exotic
wood supply shop, and built it all herself (except the hardware, of course). She
cut the
body, made the neck, truss-rod, the fretwork, the inlays... everything.
She built another guitar, which was subsequently destroyed by someone
else in a fit of rage. A picture of it is to the left. That one was based on a Jackson
fretboard, but extended to 27 frets. It played well, but because the body was so
small and the neck was really hard Birdseye Maple, it had a really twangy tone
to it. Pretty cool, it looked, but cest le vie. She hopes to build guitars again
some day. 
